陶溪川·景德镇国际工作室讲座 | 反思 : Maria Ängquist Klyvare

陶溪川·景德镇国际工作室讲座 | 反思 : Maria Ängquist Klyvare




【讲座】陶溪川·景德镇国际工作室讲座 | 反思 : Maria Ängquist Klyvare

 
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又到播报讲座的时间了,陶溪川·景德镇国际工作室的真爱粉们请看下文!

本期讲座我们邀请到来自瑞典的艺术家,Maria Ängquist Klyvare,于下周三,9月04日,晚上七点三十分,在陶溪川旗舰店二楼报告厅展开主题为“反思”的讲座,期间,艺术家将分享她的长期艺术实践,并通过向大家展示已做过的艺术项目阐述她的工作和思考方式。

Taoxichuan Jingdezhen International Studio is very pleased to invite Swedish artist, Maria Ängquist Klyvare. She will present a lecture 'Reflectionson' Wednesday, September 4th, at Ceramic Art Avenue Flagship Store 2nd-floor lecture hall at 19:30. The lecture will be summarize Maria’s long-term art practice and express how she working and thinking by showing the selection of her projects.
 

 
 
 艺术家创作简述  
 

▐     Maria Ängquist Klyvare 对私人空间和公共艺术项目、室内设计和环境艺术有着丰富经验。基于自己对建筑和艺术的兴趣,私家定制或特定场地的空间创作也是Maria Ängquist Klyvare 热衷的项目,在她看来执行这类项目更像是为她的作品提供了一个优于画廊,且更能促发人与人、人与社会互动交流的展示空间。在这种新的展示空间中,她会细心思考和感受一个空间的使用以及使用空间的对象和空间主体与周边的使用者。虽然, 从图纸上看,建筑师对一个建筑空间有着更加全面的规模计划,但用作为艺术家的方式置身分析人们对空间的使用,她会感觉自己像个人类学家。
      在她的艺术创作中,常涉及反映社会和文化以及女性身份等话题。反映世界上那些最有权势的群体,他们对科学家披露出的气候变化现象的漠视态度,以及一个16岁女孩在世界各地为气候变化发声的行为是她目前在关注的项目。
 
In my artwork, I have a long experience of private and public art projects, interior design, and environmental art. I focus on commissions or site-specific works. It provides an opportunity to be in society and amongst people, rather than in a gallery space.It also combines my interest in architecture and art. When in a new environment, I’m a bit like an anthropologist, I sit down and feel the space, how it is used, who is using its strong and week parts. While the architect makes plans on a bigger scale and from the position of looking down at the work on paper, my way as an artist is to be there on the ground amongst the people.In my artistic projects, I often respond to social and cultural issues and female identity. My current project is focusing on the most powerful men in the world and how they neglect the knowledge of the scientists of climate change and a 16-year-old girl whose voice is heard all over the world.






  作 品 赏 析  
 
 
  在部分具体场地作品中, Maria Ängquist Klyvare会借用对像素和小部件的表达以显示更大的比例。“整体大于其各部分的总和”是她工作室墙上的一句话。 “就像一张照片,如果你只是关注某个点,它只是一个点,但是如果你带着整体的思路去观察,你会看到整个画面。”这种方法 Maria Ängquist Klyvare也用来可视化和理解统计数据。
      Maria Ängquist Klyvare的其它作品,有时光线也被运用与作品同在,基于光线产生的神奇效果,她认为非常适合在像瑞典这样的昼长较短的地域使用。光与声的结合,Maria Ängquist Klyvare也会将其用于减缓特定地方的气氛。在她的作品“Sickla Water”中,有一小时的电子水声从长凳下方通过21分贝的扬声器传来,Maria Ängquist Klyvare希望通过这样方式提醒人们在繁忙的购物区放下心中躁动,用心聆听和放松。
     总的来说,她的艺术作品中的材料并不重要,这全然取决于具体的场地需要是什么。
 

In some of my site-specific works, I have been focusing on pixels and the expression of small parts to show a larger scale.

“The whole is greater than the sum of its parts” is a quote on the wall in my studio.

Like a photo - if you just see the small dots it doesn’t say anything, but if you read them together you see the whole picture.

I have also used this method to visualize and understand statistics.

In other works, I have used light because it can have a magic effect and is also convenient to use in a dark country like Sweden. I have also combined light with sound with the intention of slowing down the atmosphere in a specific place. In my artwork “Sickla Water” there is one hour of electronic water sounds coming through 21 loudspeakers from underneath the benches so people can lay down and listen and relax in a busy shopping area.

Overall, it’s not the material in my artwork that’s important but what the specific site needs.
 


 
“中国女孩”是Maria Ängquist Klyvare项目之一,该作品是反映世界(社会)变化对中国女性造成的挫败情绪的表达。它由粘土,投影,录像带和制作的雕塑作品组成。该作品在瑞典的12个博物馆和艺术馆以及在德国展出。其中一件作品在2016年TXC艺术画廊展出。

My project “China Girl” responds to frustration caused by the situation for a woman in the world and in China. It consists of sculptural art pieces made by clay, projections, video films, and lectures. The project/exhibition went on tour to 12 museums and art halls in Sweden and has also been shown in Germany. One of the pieces was showed in TXC Art gallery 2016.
 



读到此处,是否对艺术家的作品解读有种意未尽的赶脚呢!!
先容小编卖个关子,今日暂先剧透到此,预知详情请锁定下周三晚7:30 ,你带上小伙伴,我开好空调,我们相约陶溪川。
 
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